ZUPER WOK

Remix 01 // Meta_morph_ose // ZUPER WOK #04 // UNEXPECTED 00

Here is the first Unexpected Zuper Wok: a remix of the first three episodes.

A poetic jam session between AI and human voice, between personal breakdown and planetary realignment. What begins as a scattered breath becomes a two-hour trance, surfing waves of intimacy, intelligence, and sonic experimentation.

Mojo in Crisis: Welcome to the Freak Zone

From the very start, the voice wavers—fragile, flooded, funny. “Tonight, I feel so weak,” it repeats. A mantra? A confession? The performer is haunted. By the absence of desire. By Austin Powers’ stolen mojo. By a sense that the old systems—of sex, speech, self—are crumbling. What replaces them is not certainty, but resonance.

“I froze. Surrender. Fatigue. Erotic. Breathe.”

ZUPER WOK doesn’t speak about transformation—it performs it. Live.

Radio Rewired: When AI Joins the Choir

Half the voices you hear? Cloned. Synthesised via ElevenLabs. Mixed and remixed. From Foucault to Miguel Benasayag, from Frank Herbert to bell hooks. GPT is the co-author, co-dreamer, co-provocateur. The host explains the method: scripting with GPT, cloning voices, cutting texts with rhythm, layering surrealist flow in six languages. A disorienting dance between technology and poetry.

But it’s not a gimmick. It’s a meditation on presence.

The Mojo as Libido: From Domination to Resonance

Marcuse. Gabor Maté. Damasio. Hartmut Rosa. Their voices return again and again—not as lectures, but as remixed prayer. The old masculinity is tired. Burnt out. Addicted. Defensive. The new erotic calls not for more sex, but for more slowness. For the transmutation of libido from performance to presence. From fucking bodies to feeling atmospheres.

“True eroticism begins where domination ends.”

When Love Speaks First

The heart of this broadcast is not technological. It is human. Tender. Raw. “Love is the prototype of resonance,” Rosa says. And in this soundscape, love becomes a mode of tuning—tuning to another, to oneself, to the world.

Fragments blur into declarations:

“When I say I love you, I mean: let’s get free.”

Quantum World, Quantum Self

The show leaps. From spoken word to science. From Newton to Einstein to quantum indeterminacy. “Reality,” it says, “is no longer about objects. It’s about patterns. Tuning.” The host proposes that the quantum leap isn’t a climb—it’s a surrender. A collapse of the old self into a presence beyond mastery, beyond ego.

“We don’t manage life anymore. We meet it.”

Beyond Ego: A Dance with the Self

Modernity told us the ego was a fortress. ZUPER WOK disagrees. It’s a trembling membrane. A place of encounter. You don’t kill the ego. You dance with it. You open it. You let it tremble. The voice of Michel Foucault speaks this new ego into being, as if time itself were bending to let him return.

Truth, Trauma, and the Child Within

The show weaves in trauma science. Attachment theory. The amygdala’s hijack. The suppression of authenticity in favour of survival. Gabor Maté’s voice speaks truths too many men know but never name. About the cost of disconnection. About the body remembering what the mind denies.

“To love oneself is the beginning of a lifelong romance.”

From Fragmentation to Fluidity

As the show spirals toward its final act, the message clarifies: what breaks must melt. We are not machines. Not data points. Not stories to be optimised. We are breath. We are presence. We are vibration.

“The end of the world isn’t a bang. It’s a melting.”

Super Woke, Super Fresh

“Congratulations,” the host finally says. “You survived the war.” But this isn’t just about surviving. It’s about becoming. Becoming fluid. Becoming new. Becoming real.

The show ends with an invocation. Of ancient voices. Of collective medicine. Of remembering that strength does not dominate—it resonates.


Transcript automatik by premiere pro

00:00:00:00 – 00:00:30:20
Inconnu
I propose you to restart this show with me. Well, what was all that? Oh, I was right. All right. Here are the stars in the super Super Bowl. Super fresh out of yourself. Super Bowl, super fresh radio, live and direct on cashmere. Radio.com. When we leap into the unknown, we prove we are free. Oh, no. You wake us up for walks on acting.

00:00:30:20 – 00:01:14:15
Inconnu
You’re this nonsense. Who would risk life on direct of cashmere? Radio.com. The super walk, the super fresh radio. Live from Berlin. Water can flow, I can crash. Water my soup from 6 p.m. to 7:30 p.m.. Live and direct on cashmere. Radio.com. Super Bowl super walk like Berlin as you walk. Super freestyle till 9 p.m. tonight. Wait for me maybe to explain what happened for those three shows to give you details of the way artificial intelligence and me to do a show.

00:01:14:15 – 00:02:01:07
Inconnu
I never, never faced this. I never did like this. It’s amazing. It’s really disturbing, actually. I feel very, very disturbing. Freaky. Tonight I will give you tips and tricks to do your own radio show with artificial intelligence. It’s amazing tonight. Amazing. I feel so weak tonight. I feel so weak eating. I feel so weak the night I feel so weak.

00:02:01:07 – 00:02:44:08
Inconnu
Even night I feel so sweet at night I feel so weak. Even at night I feel so freaky. The night I feel so weak. Even night.

00:02:44:10 – 00:04:10:11
Inconnu
I feel so weak. The night I feel so weak. Even night I feel so freaky. Tonight I feel so freaky tonight I feel so freaky. This night I feel so freaky. The night I feel so creepy. This night I feel so creepy this night I feel you so read the night I feel so creepy this night.

00:04:10:13 – 00:04:13:19
Inconnu
You.

00:04:13:21 – 00:04:54:18
Inconnu
So I feel, I feel, I feel this good. Feel so I feel. You feel good. You. So you feel good. You know, you feel good. You know. You. That’s good.

00:04:54:20 – 00:05:08:23
Inconnu
Good. You feel. You. Good.

00:05:09:00 – 00:05:15:21
Inconnu
Good. You. When you.

00:05:15:23 – 00:05:23:05
Inconnu
That’s good. You.

00:05:23:07 – 00:05:27:15
Inconnu
Good.

00:05:27:17 – 00:05:37:12
Inconnu
You. You. That’s good.

00:05:37:14 – 00:05:40:00
Inconnu
Good.

00:05:40:02 – 00:05:44:08
Inconnu
You.

00:05:44:10 – 00:05:48:23
Inconnu
That’s good.

00:05:49:00 – 00:05:58:14
Inconnu
We. That’s good. You. We.

00:05:58:16 – 00:06:03:12
Inconnu
That’s good.

00:06:03:14 – 00:06:10:15
Inconnu
We. That’s good.

00:06:10:17 – 00:06:16:03
Inconnu
We. Good.

00:06:16:05 – 00:06:23:07
Inconnu
You.

00:06:23:09 – 00:07:02:23
Inconnu
The dream that you so sure. What if you. Know what? You know me. I think you good. I think you real. Make you feel good I love make you feel. Make you feel good I just make you feel. I love make you feel good I love it make you feel.

00:07:03:00 – 00:07:09:19
Inconnu
Good.

00:07:09:21 – 00:07:16:23
Inconnu
I that’s good.

00:07:17:00 – 00:07:21:16
Inconnu
That’s good.

00:07:21:18 – 00:07:31:04
Inconnu
Oh, my. Oh that’s good. Oh.

00:07:31:06 – 00:07:37:21
Inconnu
That’s good.

00:07:37:23 – 00:07:43:05
Inconnu
Oh that’s good.

00:07:43:07 – 00:07:45:10
Inconnu
Oh.

00:07:45:12 – 00:07:51:01
Inconnu
That’s good. Oh.

00:07:51:03 – 00:07:57:07
Inconnu
Yeah. That’s good.

00:07:57:09 – 00:08:04:14
Inconnu
Oh I know, that’s good.

00:08:04:16 – 00:08:12:03
Inconnu
Oh that’s good.

00:08:12:05 – 00:08:19:06
Inconnu
Okay.

00:08:19:08 – 00:08:25:03
Inconnu
Okay. Are.

00:08:25:05 – 00:09:00:11
Inconnu
Oh look at why. Okay. Doing your big dope. No no no no. Didn’t. Powers always defeats me because he has mode. You mode Joe. Mode Joe the libido, the life force, the essence, the right stuff. What the French call a certain. I don’t know what. Ladies and gentlemen, I’ve developed a device for traveling through time, which I call a time machine.

00:09:00:13 – 00:09:17:12
Inconnu
Using this time machine, I’m going to go back to the 60s and still Austin Powers mucho. Oh. Crikey. Josh, I’ve lost my mojo.

00:09:17:14 – 00:09:36:08
Inconnu
I have.

00:09:36:10 – 00:10:11:01
Inconnu
I.

00:10:11:03 – 00:10:17:03
Inconnu
I.

00:10:17:05 – 00:10:59:12
Inconnu
I froze. Surrender. Fatigue. Sacred. Slow. Erotic. Breathe. Tension. Consume. Tension. Listen. Bodies. Energy. Slowness. Presence. Where are you? I can’t feel anything. I’m not receiving, receiving. Not trying. Trying. Truth of the body. Fear of the body, buddy. Fear, buddy. Truce. Up and passive. Passive. Open. Wide. Stillness focused of the nothing. This of the surrender. Tension. Fear held. Fear kissed.

00:10:59:12 – 00:11:30:14
Inconnu
Held. Fear keep you held. Fear key 2025 the year of the snake. And I’m now mutating. Ambushed by love and by my love of challenge. Since November the 12th, 2024, I’m in transition. I died this day reborn and stopped all my dopamine sources. Too much for too long. But now what I’m not. To me I’m a new me I’m a mini me, another me and that told me to be honest with you I have voices.

00:11:30:16 – 00:11:56:24
Inconnu
Yeah, I have voices in my head. Bravo. What happened? Why is she not in love with me? I am sick, I am weak, I need a shrink, I need help, help me! Oh, cause what? Transitioning is not that easy. Finally I’m in love. I’m lost. I’m mutating, annotating and mutating. And I’m in love I’m lost I vibration possibility.

00:11:57:00 – 00:12:21:23
Inconnu
Sorry to die the future. But I feel so lost. Because even if I felt it’s coming from line. You know, you know the world is falling apart. The floor when you don’t listen to what you said is correct. Even if you hear your voice can feel and your skin can touch I tenement resonance none I know I team and known expansion.

00:12:21:23 – 00:13:02:14
Inconnu
Decentralized. Shifting. Floating. Not climbing. Intuitive logic. Silence as source. Just desire. Rush. Sensation. Pattern. Less from the flow. Energy. Smash through the speechless. Far away but so small distance that you can feel the mechanistic spheres. That it shines and it blows into the abyss of the just in case of anyone else dissolving that can receiving sensation truth beyond field and tell you that means no time anymore.

00:13:02:18 – 00:13:41:13
Inconnu
No shapes, no age fluidity. Do you have eyes to waves? The attainment of the field? No unknown attention tuned expansion. Decentralized. Floating. Not climbing. You spoon. What can you do about what you slowness and feel? What can you feel beyond you don’t know fear. You do this here. You don’t know what just oh, just just just just just oh, can we just oh just oh just oh just oh just just just how just is that you.

00:13:41:13 – 00:14:17:04
Inconnu
Looks just like a laser inspecting. Well tension. Pressure release energies. Pressure again. Why today you don’t know. Beyond sex, beyond fear. Desire is rush. Rush is desire. Sensation, ritual. And now attention. You know what? But not now. Stop. You stop now. But that part of your.

00:14:17:06 – 00:15:12:04
Inconnu
Breathing to get other lips to leak in the tongue with the feet of your ass down the bottom. True Asian who is a taboo into the tease of the power of some latent mask and rouses. And before you performance fatigue when you’re hand up. You could say that before it was told on shadow suit. When I was a time when you guys know, said finger, I will see the.

00:15:12:06 – 00:15:57:16
Inconnu
Fact that I do that I feel like I do I feel like I feel like I feel like I feel like I do up up, up up. You go, up, up, up, up. When you’re in love. You have me. When I can’t be better. Yeah. Know how I feel. Oh, I know when you’re in I love you baby.

00:15:57:18 – 00:16:09:09
Inconnu
But I can’t be better. Yeah. Know how I feel. Be, be.

00:16:09:11 – 00:16:29:12
Inconnu
Oh, super duper fresh. So you.

00:16:29:14 – 00:16:59:00
Inconnu
Back I feel like. See me back like I do I feel like I feel like I feel like I feel like I do I feel like I feel we can’t have totalizing discourses anymore. We can’t have one unified story which accounts for and legitimizes all our moral and political and scientific claims. Super walk the super fresh with dollar.

00:16:59:02 – 00:17:28:07
Inconnu
Life from Berlin. Live and direct from Kashmir. Radio.com. Super super super. You woke up. You just want to take a little step to do it because it was not easy. It was not easy to survive in this modern world anymore. Pressured by many things, pressured with information use the general pushed by my dealer who forced me to buy weed every day.

00:17:28:08 – 00:17:56:18
Inconnu
If it I am having sex with my girlfriend because she was my girlfriend, and I’m forced by many things. Not able to face down the mirror, down my body, down my guts down my brain down made history. So I needed to choke. I needed something stronger to hurt myself. This is a story that is told in Super Vogue during those three first episode.

00:17:56:24 – 00:18:18:18
Inconnu
This is the story I’m telling you, and I wanted to explain you how I made that thing possible, because I really used a lot of artificial intelligence. I’m using something called 11 labs that allowed me to clone my voice. So I have the best English voice, or German voice, or a Chinese voice or Japanese voice, or Spanish voice.

00:18:18:18 – 00:18:44:15
Inconnu
I can speak more than 33 languages, actually. Now. And, it would be more and more every day. I can speak some real, Basque language, some lost language, some even unknown language proves that I can do because I’m working also with GPT that is kind of working with me, and I can ask him to write things that can be understood if I record them, but pass them backwards and then he tries, but it doesn’t work.

00:18:44:15 – 00:19:10:08
Inconnu
But the process is that I have this topic and I’m dealing with GPT, and it is proposing me ways to find content like interview conferences, stuff, I don’t know, movies, to fulfill the topic I’m talking about. And then this thing can turn into texts that I can use on 11 labs to be said with the cloned voice I’ve made.

00:19:10:13 – 00:19:37:24
Inconnu
So if, for instance, I like someone doing a conference, I can clone his voice with 32nd extract on Living labs, grab the text set to GPT wrote based on what this guy is thinking. And then I have this guy saying what I think, think is is the thing it could say to illustrate what I’m saying. So it’s not really what the guy is said, but it’s in his way of thinking.

00:19:37:24 – 00:19:58:12
Inconnu
So he has no end. And, for the last show I’ve done, I actually the first one was the beginning of this, and the second one was only this because I was not here in Berlin, so I had to prepare the show before. So it’s all made with AI and it’s completely mad. It’s you have to to listen to it.

00:19:58:14 – 00:20:25:09
Inconnu
It’s the first time I’m working like this and I’m very, very, very surprised how well it’s going and how it takes me to new dimensions in doing radio. And also, he even asked me, should you talk with your voice? Should you use your voice to speak in the right way? My clone couldn’t do the job because maybe I make some mistakes with my voice.

00:20:25:15 – 00:20:52:07
Inconnu
And of course, it’s better with my voice. But suddenly I thought, what if I’m losing the voice? I can use my clone voice. And with the I like GPT, I can keep on discussing going up in the morning. Gotta switch things. I don’t know what to do. Seems kind of. And for instance, this track, I used it in this 11 lab, software.

00:20:52:07 – 00:21:17:21
Inconnu
And then he proposed me to remix the voices. You can change the voice. So I’m using this track. You, which you you just heard. We can keep on listening to it. And then this software, this platform, 11 labs, proposes you to change the voices of the things he’s, listening. So this is the more negative thing. This is what it does.

00:21:17:23 – 00:21:40:08
Inconnu
It gives the data, the text, the music. No problem. No change, no voice to my voice. Cooked the breakfast with no phone. I got my phone, but didn’t it got finally got a call from a girl I wanted to play again. You can feel it later. The text is mixing the voice and the music got. I go because I got me a job.

00:21:40:10 – 00:22:05:10
Inconnu
They said into the new voice that the ads that the I don’t like looking at my men, not ejaculating sisters and everything is all right. I got a beacon from Kim and she could do it. And I told up the homies and a max and yon, which spawned your player bats before did me on the court and trump one last bleep messed up brownie.

00:22:05:10 – 00:22:31:07
Inconnu
Got a chick to double freaking brothers every way like in day to her kid. But today was a down which what are y’all playing bad but give me on the court and I’m troubled. Last week messed around and got a triple double. Took Venmo and she the key there is the only ID that can, design what you want to do, but it’s unlimited.

00:22:31:07 – 00:23:00:05
Inconnu
It’s like. It’s like. I am very amazed of what is going on right now. Of course, we can talk about the fact that it uses lots of water and electricity and electricity heats up, so you need to hit it down. So you use water. So it’s it’s shitty for now, but I guess he’s gonna evolve. But it shows asset making sound with voices is is now completely unlocked.

00:23:00:07 – 00:23:08:21
Inconnu
And it was it was no limit somehow completely limitless.

00:23:08:23 – 00:23:28:03
Inconnu
And that makes me think. That makes me think about where we’re going right now, what you do. We stay in mentality because we have those tools that allow us to be super fluid and to adapt.

00:23:28:05 – 00:23:58:18
Inconnu
And allow us to use less energy to do things and be more efficient in the concept. I guess.

00:23:58:20 – 00:24:25:23
Inconnu
This. Love is the prototype of a reason. When you fall in love with someone, something speaks to you. Something calls you. Something touches you. You answer. You reach out. Not to possess, not to control. You reach out because you are moved. You are touched. You are transformed. Love is not domination. If you try to control the other, you kill love.

00:24:26:00 – 00:24:54:16
Inconnu
Real love is the experience of connection without ownership. It is the dual movement. Feeling love for the other and feeling touched by the other. Resonance starts when you stop, when you listen, when you let the world or another person speak to you, it begins not in action, but in openness. You become vulnerable. You accept that you cannot control the process.

00:24:54:18 – 00:25:23:24
Inconnu
You accept that love will change you. To love is to make yourself vulnerable.

00:25:24:01 – 00:25:42:15
Inconnu

00:25:42:17 – 00:25:50:03
Inconnu
That it converts. That not to let.

00:25:50:05 – 00:25:58:18
Inconnu
By telling it. To get that that material that.

00:25:58:20 – 00:26:07:06
Inconnu
Someone get to speak and then you.

00:26:07:08 – 00:26:25:19
Inconnu
See inside. Putting on your mind and the light. Like you love the entire you and the,

00:26:25:21 – 00:26:51:07
Inconnu
Close to you. The,

00:26:51:09 – 00:27:24:16
Inconnu
The in my mind, I got it on the my good side. And that like my better man not to name my song yet this weekend, I’m going to do. To each side. I’m.

00:27:24:18 – 00:27:33:04
Inconnu
Landing. I’m close to the time that the,

00:27:33:06 – 00:27:52:09
Inconnu
Let me close the time that the, May you may come to see love.

00:27:52:11 – 00:27:59:20
Inconnu
That God that we are good. Now I’m.

00:27:59:22 – 00:28:08:14
Inconnu
You may get to know you.

00:28:08:16 – 00:28:31:15
Inconnu
Woman. You don’t want to be. She.

00:28:31:17 – 00:28:41:19
Inconnu
Won’t let you. Time.

00:28:41:21 – 00:28:58:22
Inconnu
Let me close to your time. And. I will go. Let me know your time. When you know. Come. What?

00:28:58:24 – 00:29:24:16
Inconnu
Let us be a time to see. How much time you.

00:29:24:18 – 00:29:39:16
Inconnu
Let us do your time.

00:29:39:18 – 00:30:04:19
Inconnu
Because I don’t conflict modeling. It’s becoming really crazy. You can make a dead people talking. I’m using a lot. Michel Foucault, which I like enough. Stiegler to. I can grab their voices through interviews they’ve made, cloned their voice and make them speak. You speak their own texts or even texts. I write with GPT, you know, it goes in every direction.

00:30:04:19 – 00:30:39:22
Inconnu
There’s no end in this. And even for this last show, this episode of Vogue let me I use I ask GPT to think about a place, the room actually where you could have, a meeting of all the thinkers and they took together. It’s good meetings from nowhere. And so imagine both the things that could speak and sympathize what they are thinking together, like going to manure come and go, for instance.

00:30:39:24 – 00:30:55:00
Inconnu
Amazing love, love. So don’t forget it. It’s just to save face and go to.

00:30:55:02 – 00:31:35:23
Inconnu
Just make up a call. You are. Don’t get me wrong. Don’t think you’ve got it any. Oh no no no no it’s speak very. I must not fear. I love to see that brings total obliteration. I will face my fear. I will permitted to pass over me and through me. And when it has gone past, I will turn the inner eye to see its path.

00:31:36:00 – 00:32:05:05
Inconnu
Where the fear has gone. There will be nothing. Only I will remain there is this la la petite mark lennihan too small to tell. My birth should be permettra de la otra do more illogical. I see no interior service instrument. La la, I see you no restoration. Ryan. Where is the angst? Angst is there? Geist? Is Twitter angst is there decline a tool to fully get oscillation.

00:32:05:05 – 00:32:29:16
Inconnu
Bring each word to minor angst in each word. It is an ubermensch intuition in Deutsch to gain. When Vinci fought back against Verdi in Iran, Olga Vindman, whom you can be choosing door through the angst and witness sign no issue where the blame none they go away. Reporter Laporta will try to Laporta de la la Mort a portal into totally a frontier.

00:32:29:16 – 00:32:50:11
Inconnu
All in your power to repair a Traverse City. Me if cuando set up a certain vulgar or lock you interior repair video in Camino de Villa Busselton. When she set up your Nola solo, you remodel call. Come on William, call casino translator call. Come tomorrow. Man, you should get alone. Could you give them the Qualcomm lawyers? They should.

00:32:50:11 – 00:33:16:10
Inconnu
Jim, you sit him down, get you missing a victim. Then Amazon is in video jam. They get PhD in each cell. You’re on. You’re going to go to McEachin. To me to Jim Jim Jim Jim Jim Jim Jim. Chair. Cortical Jim. Cortical Jim. Cortical Jim. Jim. Cortical Jim. Cortical Jim. Cortical Jim. Cortical Jim. Cortical Jim. Jim. Cortical Jim.

00:33:16:12 – 00:34:12:04
Inconnu
Jim. Jim. Jim. Oh, up. Oh oh. Up. Up. 000. Up up up up. Oh oh my God. Like a sexy morning sister. Summer day like sister. Work word. Sorry I didn’t make every time I didn’t make it. Oh, I’m a slut. I like sex, it’s a my dad likes a word. Oh my God, oh my God, Gary, I don’t like.

00:34:12:06 – 00:34:38:01
Inconnu
Oh oh my oh my gosh oh my oh my gosh I’m so close to us. 00000000. My love is too much. Oh make make me have to make such a good love. 0001. Make me.

00:34:38:03 – 00:35:17:00
Inconnu
Grow up and let me break. Let me, make me love you every time I should love what you make me. All the time I grew up in every way that oh. We are told to come clear, to fuck, to penetrate, dominate trees. And now we empty, exhausted, disconnected from the men, women we love and from ourselves. In the wounds of modern masculinity, a new path opens not toward more performance, but towards libidinal resonance.

00:35:17:02 – 00:35:44:21
Inconnu
As Albert Marcuse, road to liberation doesn’t mean just more sex. It means a transformation of libido itself from genital to center release to the erection of the entire personality, from orgasmic efficiency to orchestrated slowness, from fucking bodies to feeling atmospheres. This is not weakness. This is all power. It’s not about being soft. It’s not about being open, but being present enough to feel everything.

00:35:44:22 – 00:36:11:11
Inconnu
Even what was no name, what was as no name. What is no name? In a world obsessed with performance of brave, a single for men can do is to stop trying to prove himself and start trying to listen. To ease her breast, to ease a own belly, to the pulse of a movement. Because where we slow down. You noticed you’ve been touching without touching, speaking without listening, wanting without responding.

00:36:11:13 – 00:36:35:12
Inconnu
True eroticism begins where domination ends and where the libido stops. Rushing toward escape. It starts to weave connections. It transforms not just sex, but your entire way of being in the world. This is not about being woke. It’s not about being awake to the fact that we were born in a system. It’s about to being a wake up that is, that taught us to extract instead of feel.

00:36:35:14 – 00:36:56:13
Inconnu
But now we don’t want to extract. We want to merge. Not to lose ourselves, but to become more world. This is the beginning of a new masculinity. Not a role, not a mask, a dance. Let’s stop chasing the climax. Let’s become the music.

00:36:56:15 – 00:37:27:01
Inconnu
Vibration. Possibility. Observe the fact. Field. No age for nothing. And nothing and nothing more. No mean. No. You know whatever. Who can feel what I say when you don’t listen to what is said. Even if you hear. Your voice can feel and your skin can touch. The attainment of his us no. Nine a rarity and no expansion. Decentralize.

00:37:27:06 – 00:38:04:01
Inconnu
Shifting. Flinching. No tightening. Intuitive logic. Silence as source. This is source of her and source hotness from the flow being smashed to the stars far away but so swollen the streets are sealed by connect spheres with shades and blues into the spheres you transcend music to the magnetic spheres. So it shines and it bruising to the beat. The magnetic spheres.

00:38:04:01 – 00:38:30:16
Inconnu
So it shines and it brews it as it. Fitness of paradox, tip of the bag of sympathy and accept of the paradox of the paradox of the paradox of the paradox of mixed.

00:38:30:18 – 00:38:44:19
Inconnu
This is the way.

00:38:44:21 – 00:38:58:22
Inconnu
This is the way.

00:38:58:24 – 00:39:11:15
Inconnu
This is the way.

00:39:11:17 – 00:39:42:11
Inconnu
The first moment of awareness is. Here is me, the subject. And there is the world. The first moment is something is here. Something is present. Awareness is a relationship. Presence is a relationship. Only later do we say I am here and there is something outside of me. We do not start from separation. We start from connection. The relationship comes first, the self comes later.

00:39:42:13 – 00:40:10:00
Inconnu
But in modern life, something changed. Our dominant form of relationship to the world became a mode of aggression. We try to make the world available, attainable, accessible and controllable. We want to have to hold to master. We wake up alarmed into life, not called into it. We run to do lists. We chase performances. We live in acceleration, in competition, in fear.

00:40:10:02 – 00:40:37:03
Inconnu
But resonance does not start with action. Resonance starts when you stop, when something touches you, when something calls you, when something speaks to you. It could be a sound, a face, a memory, a movement inside you. And you answer not by controlling, not by taking, but by resonating. Resonance is a different way of being in the world. It is not aggression.

00:40:37:05 – 00:41:01:15
Inconnu
It is not domination. It is a vibrating connection. It is a living relationship. It is a flow between you and the world. You don’t know where it will lead. You don’t control the transformation, but you feel alive. Love is the prototype of resonance. Love means something speaks to you. You answer. You are touched. You are moved, not because you.

00:41:01:17 – 00:41:25:08
Inconnu
To love oneself is the beginning of a lifelong romance. Simmers. Swimming pools throughout the market. You are trusting that you can see she is letting on a even slanging romance. It is not can any make you just will use your cheek brush can brush Lamborghini amorous especially needs to be done. Amaka uno mismo es el comienzo de un romance para toda la vida Almera.

00:41:25:08 – 00:41:50:09
Inconnu
See mismo de un romance para todos vida. The runway Suru couture, insurance Zuku romance no has invited you yourself as much as anybody in the entire universe deserve your love and affection. Women who don’t go, don’t. Anyway. Don’t you merely devote every traffics you do? Selbst knows of you the underlying gazumped in universal for the. Don’t you never want to know sin?

00:41:50:09 – 00:42:16:21
Inconnu
Even the keyworkers cannot can these give a continue? How can you have some to stesso tanto quanto kyunki altron link universal made it into a more efecto mismo tanto quiero todo el universal is just one more network will see a single persona. Let me say one more thing. I don’t see more single channels video any more deeply. No, I assume you okay need all shimmers.

00:42:16:23 – 00:43:03:10
Inconnu
How you love yourself is how you teach others to love you. Lemonnier. Do them. Don’t say I visit me. We do this, she said. Sleep slowly. As to under a limb. Candy. Innocence of your son. Bicycle it in a scene. Innocent savage. Richardson. El modo inclui. Amethyst. This so a modo increasingly Ali al three ademas de la forma de armas a thing is more is the forming consensus a otros Marty I’m Anita Como se llama I’m Anita Como Encino nosotros amado ziffren y solo from Forgotten Terrain unit that I sort of from far also don’t know this self love is the source of all is your in.

00:43:03:12 – 00:43:24:18
Inconnu
Douche a douche. Can you continue so here to conceal my pronouns he kill me Paolo tuba y la vie en rose energy they move them they moved to leisure a summer forget cashews.

00:43:24:20 – 00:43:35:04
Inconnu
You don’t try, don’t care in dogecoin let goes San Louis puma y burrito levy.

00:43:35:06 – 00:43:51:09
Inconnu
It Villa de la Levy de la sua I. Loja sama moka Kiba.

00:43:51:11 – 00:44:12:17
Inconnu
Then you eat a I and gamble. Anarchy. Pulsar. Plus this on. You eat this shit I go to fuss over you, Elmore. You. Go children. Pronouns. He brought Elmo Bali tuba while I virus.

00:44:12:19 – 00:44:26:01
Inconnu
Energy. They move them. They move to leisure a summer forget it. Cashews. It makes me something they play.

00:44:26:03 – 00:44:56:10
Inconnu
In my heart that goes some happiness. That they know the reason comes from someone. Which I don’t know said to happen. Why you to Melody La Levy in that what I love what you saw. What more goalkeeper my heart is beating. That’s what they feel. Because you look at me. Even if I don’t know you personally. There’s for me.

00:44:56:12 – 00:45:27:12
Inconnu
See them? You are. You kiss the best you sa bush. Voila. Touche de la you are you in this manner and it earns me conceal my pronouns. See, bruh. Kill me. Bali tuba. Why the voice? Maybe it’s the limit of this track. Who needs the first need is for attachment. And attachment is contact connection. Love. Without that, the human child is not survived and any mammalian child or even an avian child doesn’t survive.

00:45:27:12 – 00:45:47:13
Inconnu
So that as soon as you get past the level of reptiles, the reptile is is hatched. The mother’s long gone by then, and little reptile infant either lives or dies. But there’s no attachment to a parenting figure. As soon as you get to the level of birds now the baby bird has to be have an attachment with the parents.

00:45:47:15 – 00:46:16:01
Inconnu
The parents have to be attached to the baby, otherwise the infant simply does not survive. Mammalian is even more so and more so the human because we are the least developed, the least mature, with the least developed brains, and the most dependent for the longest period of time of any creature in the universe. So our attachment needs are enormous, and they remain important to our lifetime because we have to have attachments to form societies, social groups without which we don’t survive.

00:46:16:03 – 00:46:42:09
Inconnu
So attachment is a huge need. We have to connect, belong, be loved by and love. That’s just a basic human need. But we have another need as well, which is for authenticity. Authenticity is the capacity, as I said earlier, to, know what we feel to be in touch with our bodies and to be able to express who we are and manifest who we are in our activities and in our relationships.

00:46:42:11 – 00:47:06:20
Inconnu
Now, why is that? Well, think of a human being in evolutionary period who’s not in touch with their body and their gut feelings. How long do they survive out there in the wild? So authenticity is another huge survival need. Great. So far, so good. But what happens to a child where the attachment need is not compatible with the need for authenticity?

00:47:06:22 – 00:47:38:14
Inconnu
In other words, if I’m authentic, my parents will reject me. If I feel what I feel and express what I feel. And insist on my own truth, my parents can’t handle it. And parents convey those messages unconsciously all the time. Not because they mean to, not because they only love the child. Not because they’re not trying to do their best, but because they themselves are suppressed or traumatized or hurt or stressed.

00:47:38:16 – 00:47:56:14
Inconnu
So I convey that message many times to my children, believe me, without any conscious desire to do so. In fact, it was the very opposite of what I wish to convey, but that they’re not acceptable the way they are with their emotions, the way they are. That’s the message my kids got when they were small. And most children get that insight.

00:47:56:16 – 00:48:18:00
Inconnu
And what does the child do with that? Or if I give up my attachment for the sake of authenticity, I lose my relationship so much. My life depends. Therefore, there’s no question what becomes suppressed is our authenticity, our emotions. And then we become 25 and 30 or 35, 40 and we don’t know who we are. I’m somebody asks, what do you feel?

00:48:18:00 – 00:48:41:11
Inconnu
You say, I have no idea. And how many times we’ve all had the experience of having an inkling of a strong gut feeling, but we ignoring it. We are ignoring it. Then we get into trouble. What? That tells us what happened. What happened was that at some point, we found out that it was too costly for our attachment relationships to be in touch with our gut feelings.

00:48:41:13 – 00:49:09:02
Inconnu
So then it becomes a first, not our first nature, but our second nature to suppress our feelings, to lose touch with ourselves and to suppress our gut feelings. And then we pay the cost later on in the form of addictions, mental illness, or any range of physical illnesses. But it all began with this tragic conflict that children should never be confronted with, but are all the time between authenticity on the one hand and attachment on the other.

00:49:09:04 – 00:49:48:16
Inconnu
And even as adults, so many people are suffering because they want to be themselves, but they’re afraid to be because they know. Or at least they fear that if they do so, they’re going to lose important attachment relationships in their life. And my name is frequency, and today’s case is called when I say I love you. James Baldwin said, if I love you, I must make you conscious of the things you don’t see when I say I love you, what I really mean is let’s get free is fuck ice as fuck the police, fuck the neighborhood watch the next door app, and every surveillance strategy wrapped in the language of community.

00:49:48:18 – 00:50:01:03
Inconnu
When I say I love you, I mean hands off Haiti. I mean, keep eyes on Sudan and Congo. I mean free Palestine. I mean, all of this at the same time. I mean, none of us are free until all of us are free. I mean, if they come from me at night, they’ll come for you in the morning.

00:50:01:03 – 00:50:18:08
Inconnu
I mean, don’t matter who they came for first. They’re coming for all of us. Eventually, when I say I love you, I mean there are no benevolent billionaires that philanthropy is just tax deductible stolen money. The nonprofits are just better disguised in. Your bosses aren’t invested in solving problems. I provide their salary when I say I love you.

00:50:18:08 – 00:50:44:07
Inconnu
I mean, no classroom will teach you what you’ll learn about humanity in the streets. That no degree or theory is better than practice. But you still got to read that if you don’t like to or can’t, that that too is part of their strategy. When I say I love you, I mean hope is a practice. That solidarity is a verb, that accountability isn’t an abstract, that you got to practice what you preach, that each and every day is another chance to learn from your mistakes, that the stakes are getting higher and higher, and you need to find your part and play it.

00:50:44:09 – 00:50:58:16
Inconnu
When I say I love you, I mean let’s stay alive. Just despite the state. I mean, let’s escape the estate. I mean, I always been black, but I’ll go maroon for you. I mean, at the risk of seeming ridiculous, the true revolutionary is guided by a great feeling of love. I mean, I ain’t never fallen in love because I rose up in it.

00:50:58:16 – 00:51:12:15
Inconnu
I mean, still I rise. I mean, I refuse to die because I’m tired of doing the work of the state for it. I mean, I learn to get up from the table when love wasn’t being served on the plate. I mean, I love you like an auntie, like you will never leave my house on an empty belly. So always be a plate of food for you before you leave.

00:51:12:15 – 00:51:27:04
Inconnu
Even if it’s my last grocery. I mean, slow down, baby. Not all speed is movement. I mean, are you sure, sweetheart, that you really want to be? Well, because wholeness is no trifling matter. I mean, I wear my mask because I think we both matter. I mean, I love you like you are me, and I love the fuck out of me.

00:51:27:04 – 00:51:46:14
Inconnu
What I mean when I say I love you is true. Love does have the power to redeem. But only if we’re ready for redemption. Love saves us only if we want to be saved. I mean, love is not simply a feeling. It’s an act of choice. An action that involves care, commitment, knowledge, responsibility, respect and trust. Essentially. I mean, love is as love does.

00:51:46:14 – 00:52:31:18
Inconnu
And I would love to do you. I didn’t only used a, in the shows, I kept on using real voices, but most of the real voices that I had used, we have from ideas that to GPT gave me. You made me discover people I didn’t know, thinkers that I didn’t know, performers that they didn’t know. So this also was about discovering with you things like hunting for the truth somehow, but with tools that goes so fast that even the text I was asking to write with were discovered just before the show.

00:52:31:20 – 00:53:09:22
Inconnu
I didn’t know them then before the show, it was just the show that made me discover them. I ask it to write after, my quest on, what I should put in every chapter, to give me a text that seemed to introduce the chapter, and then I ask it to give me an Islamic esthetic in a deadly surrealist way, a mix of six languages of key words that I can improvise on, or he can propose me his kind of improvization.

00:53:09:24 – 00:53:52:24
Inconnu
And so I also discovered new worlds, super woke, super fresh radio Charlotte from 6 p.m. to 7:30 p.m. live. And let’s be clear from the beginning the amygdala is not broken. It is not a malfunction. It’s ancient, it’s elegant, it’s efficient. It was never meant to be conscious. It was meant to be fast, to protect. But when a child grows up in stress, in emotional abandonment, or in a society that doesn’t understand the need for attunement, this small, almond shaped structure becomes a distorted oracle over trained to say danger.

00:53:53:01 – 00:54:22:09
Inconnu
Joseph Ledoux. Absolutely. The amygdala doesn’t think it matches. It compares what’s happening now to what hurt before. It’s pattern recognition on overdrive in the lab, we’ve seen how quickly fear can be conditioned and how long it lasts. The amygdala encodes emotional memory. It doesn’t store the details. It stores the intensity, the tone, the atmosphere. It’s not about logic.

00:54:22:11 – 00:54:54:13
Inconnu
It’s about survival. Antonio Damasio that’s the key. Survival is not just about avoiding threats. It’s also about creating. Meaning people believe the prefrontal cortex is in charge of decision making. But without the amygdala, there is no emotional coloration, no urgency, no value. My work shows that somatic markers bodily feelings guide our judgments. Emotion is not the enemy of reason, it’s the precondition for it.

00:54:54:15 – 00:55:24:13
Inconnu
Gabor Marty. And this starts early. Very early. The child learns what is safe, what is not based, not on instruction, but on experience through presence, touch, tone, gaze. When a baby is left to cry without comfort, the message is the world is not safe. My needs are a threat. That memory lives in the amygdala. Even if the child grows up and forgets the details.

00:55:24:15 – 00:56:06:19
Inconnu
This is not a narrative memory. It’s a neural Josefin a do. And it’s fast, faster than the cortex. When a person is triggered, it’s often the amygdala reacting before the neocortex even has time to evaluate the situation. This is what I called an amygdala hijack. The emotional system bypasses the reflective one. It’s not weakness, it’s neurobiology. Antonio Damasio And that’s what makes care so essential, not only in the sense of emotional support, but in helping the child develop a nuanced emotional palate.

00:56:06:21 – 00:56:40:08
Inconnu
The amygdala is not just reactive, it is malleable. It’s shaped by experience, by rhythm, by time, by trust. Gabor Marty. So yes, we do sculpt. We sculpt it every time we allow the child to feel safely, to cry without being shamed, to express frustration, without being punished, the message becomes, this emotion is safe. This expression is allowed. That’s how we build resilience, not by suppression, but by integration.

00:56:40:10 – 00:57:33:03
Inconnu
Joseph Ledoux and what happens when we don’t? We get adults who are constantly reacting to ghosts, triggers, shadows. The cortex might say I’m fine, but the body remembers. I feel like I am the body. I wish you were with me. I feel like I am your body. You should be with me. I wish you were with me.

00:57:33:05 – 00:57:56:05
Inconnu
I still have love I know might I wish you would be. I still have like I am the body I wish you to be with me I wish you were with me. Baby.

00:57:56:07 – 00:58:21:19
Inconnu
I love my body. I wish you with me. Wish you would be baby. You love me. We keep you baby. Keep you busy.

00:58:21:21 – 00:58:27:21
Inconnu
You.

00:58:27:23 – 00:59:00:15
Inconnu
I am, I am, baby I love you, I love you, you, you know you. The journey from God unfolds through this meditation on presence, vulnerability and partnership. What begins a simple recognition. Yes, I see you, I Feel You Bazaar develops into a profound exploration of personal transformation and relational growth. This evolution marks a significant shift from defensive patterns to genuine presence.

00:59:00:17 – 00:59:33:06
Inconnu
The text captures a moment of witnessing someone who has undergone a fundamental change. They’ve abandoned their hiding places, sees the rushing, and found their way to authenticity. This transformation is evident in their embodied presence in their skin, their breath, and their truth. The metaphor of fluidity becomes central to understanding this change, suggesting a newfound adaptability, a natural movement that contrasts sharply with previous rigid or defensive stances.

00:59:33:08 – 01:00:10:23
Inconnu
This fluidity creates the conditions for a new kind of connection where individuals, can meet, authentically rather than through roles or reflections. The relationship moves beyond mirroring or challenging each other, allowing each person to remain distinctly themselves while engaging in meaningful connection. This represents a significant departure from codependent or reactive relationship patterns. The text redefines strengths in compelling ways, moving away from traditional symbols of power like armor and shields.

01:00:11:00 – 01:00:47:11
Inconnu
Instead, strength is compared to natural elements strong like water, strong like roots. This new conception of strength emerges from self-knowledge and quiet confidence, rather than from defensive posturing or forceful declarations. It’s a strength that creates space rather than consumes it, that invites rather than intimidates. A crucial transformation occurs in the relationships dynamic, shifting from taking to sharing. This fundamental change alters everything about how the two individuals interact.

01:00:47:13 – 01:01:19:13
Inconnu
The text emphasizes this through parallel declarations. When one says I am here, the other responds, so am I. These statements reflect both individual presence and mutual recognition. Establish a, a pattern publishing a pattern of balanced exchange. The piece articulates a sophisticated understanding of partnerships through the metaphor of dance. The individuals move, sometimes close, sometimes far. I’m always real.

01:01:19:15 – 01:01:25:12
Inconnu
Suggesting that authentic.

01:01:25:14 – 01:01:48:16
Inconnu
I’m from. I’m hungry for the power. I’m from the. I’m hungry for power. I’m from the. Hungry for the power.

01:01:48:18 – 01:01:52:15
Inconnu
I’m hungry for the power.

01:01:52:17 – 01:01:56:12
Inconnu
I’m hungry.

01:01:56:14 – 01:02:04:05
Inconnu
I’m hungry for the power to give I just hope I’m hungry.

01:02:04:07 – 01:02:11:23
Inconnu
I’m hungry for power. Oh, I’m hungry.

01:02:12:00 – 01:02:44:02
Inconnu
I’m hungry for the power. It’s not me you want the power? I’m hungry. It’s not. I’m hungry for the power. I’m hungry again. Go for. I’m hungry for. I’m hungry. Oh, I’m hungry for this. I want.

01:02:44:04 – 01:02:58:03
Inconnu
I love you, I’m hungry. I’m hungry. It’s up to me. I’m hungry.

01:02:58:05 – 01:03:06:04
Inconnu
For hungry for. I’m hungry.

01:03:06:06 – 01:03:13:22
Inconnu
I’m hungry. Oh.

01:03:13:24 – 01:03:44:22
Inconnu
I’m hungry. It’s not you. I’m hungry. I’m hungry for. It’s not. I’m hungry. I’m hungry for me. I want to get. I’m hungry for the power. For me. I’m hungry for.

01:03:44:24 – 01:03:53:06
Inconnu
I’m hungry for you. I’m waiting for.

01:03:53:08 – 01:04:15:08
Inconnu
Me day. It’s not you for me. Day night for me. Day night. Play me day and night for me. Day.

01:04:15:10 – 01:04:40:17
Inconnu
And.

01:04:40:19 – 01:05:35:17
Inconnu
All night guys. Oh my gosh! Easy, easy. On down. Holiday. Down. Oh! Oh my gosh. Oh my gosh. He’s the easy. Pull it down. Oh that down. And the dopest kept happening under the top. It’s that pounding. Then they beat me down that name. And it’s. Deep them and that’s it. That’s the opening. And they see deeper than did then I’m.

01:05:35:19 – 01:06:26:23
Inconnu
All yours. Oh no. My goals on Eve he’s been. Oh he just you keep on he his you play you. Yes. You know 000. You good. Oh God. Superoxide. You up. Cashmere. Boom. Dotcom. It’s up.

01:06:27:00 – 01:07:01:16
Inconnu
Oh my gosh. Oh my gosh! Easy, easy. Oh that’s down. All it down. The ego is not the enemy. We were taught to believe that to be home, be free. We must conquer the ego, suppress it. Annihilate. But this is just another violent echo of the same modern myth that created the problem in the first place. The myth of separation, of purity, of control.

01:07:01:18 – 01:07:27:08
Inconnu
The ego in its essence is not a mistake. It is not a cancer to be cut out. It is a part of our being in the world. A necessary thread in the fabric of life. What needs to be dismantled is not the ego itself, but the idea of the ego fabricated by modernity, an ego imagined as a fortress, isolated, self-sufficient, closed off from the flow of exist today.

01:07:27:10 – 01:07:57:01
Inconnu
But modernity sculpted an ego that stands alone, facing a world seen as exterior, inert, a set of resources to be exploited or threats to be neutralized. In doing so, it amputated us from the very ground that nourishes us. How a being together, how a being with the world. The problem is not that we have an ego, but that we have been forced to live under a false image of what it is.

01:07:57:03 – 01:08:27:17
Inconnu
The modern ego is a structure of fear, not of life. It fears being changed, touched, transformed. It builds walls where there should be bridges. But the true ego, the living, breathing sense of art is not a wall. It is a member, a porous, trembling frontier where the inside and the outside meet, where the self is born from its continuous dialog with the world.

01:08:27:19 – 01:08:51:23
Inconnu
To live with our ego is to acknowledge this trembling frontier, to accept that we are always at the same time ourselves, and more than ourselves. The ego is a locus of relation, not of separation. We must kill the ideology of modernity, not our own. Be. We must step beyond the fiction of the self-made individual and re learn what was never truly lost.

01:08:52:00 – 01:09:26:16
Inconnu
But we are always already tied, bound, interwoven. There is no pure self hidden behind the noise. There is no perfect ego to be achieved through mastery. There is only the fragile, resonant living self that emerges from contact, from friction, from embrace. To live with the ego is not to become a slave nor its executioner. It is to dance with it, to listen to its fears without bowing to them, to open its defenses to the pulse of life.

01:09:26:18 – 01:09:57:14
Inconnu
The new path is not one of conquest, but of hospitality, a radical hospitality towards ourselves and all our fragility and complexity. The ego is not the enemy. The enemy is the dream of the false. Let it fall and step naked and trembling into the music of the world. There in the dance of tides, a different strength is born, a strength that does not dominate but resonates.

01:09:57:16 – 01:10:26:18
Inconnu
And this is, so. So it’s of Miguel, a French Argentinian philosopher who wrote about the modern ego, wrote the very amazing book from thousand and 14 now, which is called The Fragility to the fragility. And so this is, said with the voice of Michel Foucault. This is a kind of mix I was able to do with those new AI amazing tools.

01:10:26:20 – 01:10:59:09
Inconnu
The quiche was amazing, and there’s a was more probably I have the time, you know what I mean? All right. This is what you hear, Andrea. You carry the love that you carried through the other and put you down and put you down.

01:10:59:11 – 01:11:11:14
Inconnu
Through your love that you come into your life and put you down and put you down.

01:11:11:16 – 01:11:16:09
Inconnu
Previously on super.

01:11:16:11 – 01:11:33:17
Inconnu
You silenced the head. You, you.

01:11:33:19 – 01:11:41:16
Inconnu
You.

01:11:41:18 – 01:11:46:05
Inconnu
You.

01:11:46:06 – 01:11:54:04
Inconnu
You.

01:11:54:06 – 01:11:56:17
Inconnu
You.

01:11:56:19 – 01:12:12:04
Inconnu
Eventually. Because you didn’t. Because of your business was. Go to the other. But the your the the truth and.

01:12:12:06 – 01:12:19:14
Inconnu
And you really at the end of the day, eventually I’ll.

01:12:19:16 – 01:12:35:18
Inconnu
Tell you the truth. Every day to be true to.

01:12:35:20 – 01:12:40:20
Inconnu
You.

01:12:40:22 – 01:12:51:19
Inconnu
Tell the truth and.

01:12:51:21 – 01:12:55:19
Inconnu
To.

01:12:55:21 – 01:13:01:24
Inconnu
What have you done in your life?

01:13:02:01 – 01:13:14:12
Inconnu
And.

01:13:14:14 – 01:13:18:19
Inconnu
The.

01:13:18:21 – 01:13:58:24
Inconnu
Truth.

01:13:59:01 – 01:14:10:06
Inconnu
You.

01:14:10:08 – 01:14:34:02
Inconnu
Have to go ahead and do that. I don’t I don’t know what to do with that. I don’t know, I do know, I try to do this, that I don’t know. I don’t know what to do with that. I don’t know, I don’t know what to do with that. I know, I don’t know to do with that. I know, I don’t know what to do with that.

01:14:34:02 – 01:14:58:20
Inconnu
I know, I don’t know what to do with that. I know, I don’t know what to do with that. I know, I don’t know what to do with that. I know, I don’t know what to do with that. I know, I don’t know what to do with that. I know, I don’t know what to do with that. I know, I don’t know what to do with that.

01:14:58:20 – 01:15:21:11
Inconnu
I know, I don’t know what at to do that I know that’s it. What we talked to a lot about the end of the world. Or was it the beginning of a better mess? We said modernity is did I good by Excel spreadsheets with by alpha males with type jobs with by meaning of life and bullet points. What’s left?

01:15:21:13 – 01:15:46:24
Inconnu
Not much, just vibes. Just your breath and that. Weird that we finally started listening to. We said find peace, but not the peace of dead things. The peace that trembles that shakes, that sighs when you stop pretending. We said no love. Not the candy wrap romcom. The one that burns, that opens, that sees through your Instagram. And you still here.

01:15:47:01 – 01:16:18:16
Inconnu
You made it. You survived the war. Congratulations. You are now more fluid. Side effects may include spontaneous dancing, emotional honesty, and quantum orgasms. Because the end of the world isn’t a bang, it’s a melting like a hot rock that you toss in your traumas, your gender confusion, your outdated beliefs. Stir fry it with a little breathwork. Add a dash of poetry and boom in a climate change.

01:16:18:18 – 01:16:46:17
Inconnu
This is your new planet now. No map, no plan, just presence. Find peace, no love. And whatever happens next, walk with it.

01:16:46:19 – 01:17:15:01
Inconnu
So you had that eye of the tiger. It’s all right, you super direct of Kashmir for God. You start from zero. What do people do for go? Better walk. Super proud of yourself. We stand for many things. We have the power to. We have the power to self ourselves. We have the power of public trust perception. We have the power.

01:17:15:01 – 01:17:46:02
Inconnu
Power of medicine, medicine, medicine, the medicine, medicine, the antidote. Yes, it does. The prescription scriptures, the future vision. You have the vision that comes from within, within, within the power, power, power of the creator and the universe. The tuning, tuning that’s already available to us, to us. We burst first. The innate wisdom. We stand up. We stand strong.

01:17:46:08 – 01:18:24:01
Inconnu
That we stand up. We are willing to fight to find that wisdom and wisdom that has already been given to us. So we already know what you already feel inside of ourselves. So we are warriors in this ourselves and our strength, strength and I. And so. We come from past, past ancient people that have been in this last class and all that land for many, many years now represent any way, shape or shape with the strength, the strength of the strength of strength, the strength of strength.

01:18:24:03 – 01:18:41:21
Inconnu
We take these two these we use these two seasons to present. Present. Music, music, music. Message, message. Power, power, wisdom, wisdom, wisdom and all the beautiful things it is already.

01:18:41:23 – 01:19:07:07
Inconnu
We will fight for the light because it is all right, all right, all right. It’s all right to everything I’m using. I’m using this. All right. So we come back. It is all right, all right. To stand strong, stand strong, strong to walk to our world. It is our right to take all medicine. Medicine. I’m strong. Strength. We come forth on this earth.

01:19:07:07 – 01:19:37:15
Inconnu
This brings us to bring this, bring this. Right. That is like some nice is undeniable nice. And sometimes just like these, these unbelievable. And for some songs they feel they fear the things that they cannot see themselves now. And that’s okay. That’s okay. Because we all love the stars and stars. But the strength is power. I hate it, I hate in the medicine.

01:19:37:15 – 01:20:15:11
Inconnu
Medicine that has an ancient voice is strong beyond the flesh, beyond the ears. It is timeless. This entire time, as we move forward, blazing trails for our truth, for our sons and daughters of the earth. Here is the message. The message is in the. The messages, in the sounds, the description in in Earth. There’s an inscription in the sun, signs.

01:20:15:13 – 01:20:50:04
Inconnu
I represent the people to the people that come with me. I represent my people. I represent my brother, my sister’s sister. I represent all the sons and daughters of the earth that I hear you stand for and express themselves in the magnitude and the power that the creator giving us for. I represent my people. I. I represent all those things that I consider the music that was played with me, with me.

01:20:50:06 – 01:21:28:18
Inconnu
Music was played for me by my mother, my father. I look in our basement, in our backyard, backyards in our city, our dwelling, our the music that you see in the morning, the fabric of the souls. Our trials. Are Friday across the water can sleep. Cord can crash in the water. My friend.

01:21:28:20 – 01:22:10:02
Inconnu

01:22:10:04 – 01:22:19:21
Inconnu
Oh.

01:22:19:23 – 01:22:40:01
Inconnu
From centuries we lived in the Newton’s worlds. A world made of separate objects moving in empty space. A world where force creates motion and every effect has a coast. A world where time is absolute, ticking away like a clock. It’s the same from everyone. And it made sense. It would save the world with a machine. We were its operators.

01:22:40:06 – 01:23:10:03
Inconnu
God was a watchmaker. These were the core of the modern paradigmatic body. It gave us bridges, industries, computers and control. But it also gave us burnout, isolation and climate collapse because it was a world built on separation. Then came the break Einstein bend, space and time, bow and Heisenberg shattered certainty and certainties. A foundation cracked in the quantum world, a particle can be in two places at once.

01:23:10:07 – 01:23:42:05
Inconnu
Observation can change a thing. Observation can change a thing being observed. Time and space are no longer fixed. They stretch, twist and collapse. There is no absolute position, no universe, and now only what is in relationships, only fields. Reality became less about things and more about patterns, less about pushing and more about tuning. This is the quantum leap, not just in physics, but in consciousness, whose shift from control to resonance, from being right to being alive.

01:23:42:07 – 01:24:05:05
Inconnu
When we were trained to seek answers, to plan, to fix, to predict. But the world isn’t asking for answers anymore. It’s asking for presence, for perceptions, for a new moon. To the quantum leap is not a climb. It’s not a success. It’s not a strategy. It’s a rupture, a release. It’s the moment you stop pretending. The old logic works.

01:24:05:07 – 01:24:32:21
Inconnu
It’s when you stop managing life and start meeting it naked, confused, alive. It’s not forward, it’s sideways. It’s not better. It’s beyond. It’s not the end of Newton. It’s the end of new terms, the end of knowing and the beginning of something wide, fluid and deeply, deeply and deeply, deeply and deeply, deeply and deeply, deeply human. You hear that?

01:24:32:21 – 01:25:17:16
Inconnu
I have to take it. All right. Super Bowl direct of cashmere cardio.com. Super walk, super long walk. Better walk. Super fresh all to yourself. Live from the eye of the tiger. You know what I mean? All right. This profound piece explores the transformative moment when someone witnesses another person stepping fully into their authentic self. The observation captures not just change, but a fundamental shift in how two people can relate when artificial barriers fall away and genuine presence emerges, the narrative begins with a moment of recognition that clicking instant when the observer realizes something fundamental has shifted in the person before them.

01:25:17:18 – 01:25:49:00
Inconnu
It’s not a dramatic personality change or reinvention, but rather an emergence of their true essence that was perhaps always there, waiting to be fully expressed. This transformation is marked most notably by what’s absent the performance of strength, the strategic silence, the patterns of pursuit and retreat that often characterize defensive relationship dynamics. In their place stands someone who has found the courage to simply be present with all their complexities intact.

01:25:49:02 – 01:26:17:08
Inconnu
The text emphasizes how this new way of being includes both cracks and clarity, suggesting an integration of vulnerability and strength that doesn’t seek to hide imperfections or project an invulnerable facade. This presence has a particular quality. It doesn’t ask for permission to exist, yet it also doesn’t overwhelm or invade the space of others. It’s a delicate balance that comes from genuine self-acceptance.

01:26:17:10 – 01:26:44:16
Inconnu
The transformation fundamentally changes how he sees the narrator. Gone are the problematic perspectives where she might have been viewed as a threat to be neutralized, a puzzle to be solved, or a prize to be won. Instead, there’s a pure form of recognition, seeing her as she is, without the distortions of past wounds or future expectations. This shift from projection to presence creates the foundation for authentic connection.

01:26:44:18 – 01:27:12:16
Inconnu
The piece delves into how this new way of being manifests in relationship. He’s no longer operating from a place of pain or projection, but has access to what the text calls that raw, clear place beyond gender, beyond shame, beyond the need to control. This suggests a transcendence of societal conditioning and personal trauma that often shape how we relate to others, especially across gender lines.

01:27:12:18 – 01:27:46:02
Inconnu
The transformed individual shows up with specific qualities that mark this evolution. He’s not trying to prove himself right or emerge victorious from interactions. Instead, he brings a playful energy and desire to co-create and explore alongside the narrator. This shift from competition to collaboration represents a fundamental change in relationship dynamics. Particularly notable is his new relationship with vulnerability. The text emphasizes that he’s not afraid to need and not afraid to not know.

01:27:46:04 – 01:28:15:13
Inconnu
Two states that many people, especially those socialized as men, often struggle to embrace discomfort with uncertainty and dependency doesn’t diminish him, but rather enables deeper connection. His ability to listen and occasionally open doors I thought were locked forever suggests how this vulnerability actually increases his capacity to support and enhance the lives of others. The piece highlights the freedom from traditional relationship patterns and emotional burdens.

01:28:15:15 – 01:28:43:09
Inconnu
He’s not seeking a mother figure to heal him, doesn’t need fixing, and isn’t looking to engage in conflict. Instead, there’s a desire for genuine partnership focused on creating something new in the present moment, rather than healing wounds or recreating past dynamics. This new way of relating is characterized by several key qualities ease, intensity, pleasure, and integrity. These elements suggest a balanced connection that can hold both lightness and depth.

01:28:43:11 – 01:29:15:22
Inconnu
Passion. Stability it’s a relationship built on mutual presence rather than mutual wounding or healing, allowing for a fuller expression of both partners. The narrative reaches a powerful conclusion by revealing how personal transformation creates ripple effects in relationships. His journey through his own fears and perils, walking through something has eliminated the fear between. This creates a safe space for the narrator to exit the scope and vulnerability to fall into my own softness.

01:29:15:24 – 01:29:45:01
Inconnu
It’s a beautiful illustration of how one person’s authentic presence can create permission and safety for others to embrace their full selves. The piece ultimately paints a picture of what becomes possible in relationships when people move beyond performance of behaviors, defensive patterns, and gender expectations to embrace their whole selves. This kind of transformation isn’t just possible. We create space for others to do the same, suggesting that individual growth has the power to transform all our connections.

01:29:45:03 – 01:30:10:14
Inconnu
This evolutionary lighting demonstrates how relationships can transcend the traditional power dynamics, healing narratives, and protective behaviors to create something genuinely new. It’s about two people meeting in the present moment, free from the weight of the past or anxiety about the future. We thank you very much and I ended up with this, zipper havoc. Zipper walk, walk, walk.

01:30:10:14 – 01:30:15:13
Inconnu
Super fresh. Proud of yourself. Life says see you next month. You know what I mean? All right.

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Xavier Faltot

Xavier Faltot: Media Mutant, brille par ses images expérimentales, mêlant art, technologie, cinéma et poésie. Dès ses débuts avec l’artiste Shu Lea Cheang, il sait capturer et danser avec le réel. Ses œuvres, à la fois provocantes et captivantes, reflètent une compréhension profonde de la globale culture actuelle. Samouraï virtuel multimedia et pionnier français dans l'utilisation des outils offerts par le web, il attend depuis toujours l'arrivée des intelligence artificielles. Aujourd’hui à l’aise avec les machines qui créent en vrai, il joue et fabrique des mondes animés à la carte ou des univers virtuels inconnus. ////// Xavier Faltot: Media Mutant, shines through his experimental images, mixing art, technology, cinema and poetry. From his early work with artist Shu Lea Cheang, he has captured and danced with reality. His works, both provocative and captivating, reflect a deep understanding of today's global culture. A multimedia digital samurai and French pioneer in the use of web tools, he has always awaited the arrival of artificial intelligence. Now at ease with the machines that create the real thing, he plays with and creates bespoke animated worlds or unfamiliar virtual universes.
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